Joy and Purpose Through Art for Meg Shaw

Art brings me joy. I particularly love being in the ‘flow’ state of creation – when I’m absorbed in the moment – so much so, I have no sense of time.

Another aspect that’s engaging for me is being able to express myself in an open, yet intimate way via painting.

Art also gives me a sense of purpose in life and the ability to direct my own course.

Feedback from fellow artists or those who appreciate art is often uplifting and gives me the opportunity to reflect on my work through fresh eyes.

Image shows a background of a verdant landscape with rolling green hills, blue sky with passing clouds with the text reading Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania
Image shows a watercolour landscape for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

The Inspiration of Tasmania

Tasmania is inspiring because of it’s diverse, vibrant scenery and vast areas of untouched, natural beauty.

As a visitor over decades and now a permanent resident, I’ve been privileged to travel to numerous areas.

One of the most fascinating aspects of travelling around this unique island is that the scenery changes quickly and quite often, dramatically.

Another, is you can smell the fresh air, which immediately boosts your mood and lowers stress.

Some parts remind me of beautiful spots on the mainland and others are uniquely Tasmanian.

Art as an Intrinsic Element of Self

Art has always been an intrinsic part of me for as long as I can remember.

It was my strength and passion thoughout school and beyond.

Practicality led me to realise I needed to work to support myself.

I became a primary teacher (later, an ESL teacher), married, shared a mortgage with my husband and had two beautiful daughters to co-parent.

Immersion in Art

Nevertheless, I continued to express myself through art in some form or anorther.

As retirement approached, I realised I could immerse myself once more.

So, I built up my supplies, materials and equipment in preparation to jump back into it once again.

Image shows a value of purple and yellow flowers for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania
Image shows a studio view with pink roses set up for painting for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

Creating Art in Adaptable Spaces

My workspaces have always been humble – an old card table, the kitchen table, an island bench, the floor or a board resting on my knees.

More recently, in our Geelong home, I occupied a small spot in our garage with my husband. I’ve never had my own designated, creative space.

Now, I’m thrilled to have a small, converted (it’s a work in progress) garage to call my own.

Creating Art with Oils

I was given a large set of Windsor and Newton oils many years ago by my husband.

I worked with them whenever I had time, replacing the precious tubes as I could afford to.

Both my daughters used them throughout their senior secondary school years, with my younger daughter using them during her university architectural degree.

Moving to Acrylic Paints

In my later years, I found oils didn’t agree with my health, so I switched to a wonderful Australian made, environmentally friendly acrylic paint.

I also enjoy working with inks, alcohol inks, pens and pencils. Recently, I’ve been using spray cans, too.

Image shows a verdant landscape with rolling green hills, blue sky with passing clouds for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

The Evolution of Art

My artwork has evolved over the past several years.

Looking at old photos makes me realise how I’ve changed and developed.

When I retired, some years ago, I remember standing in front of a canvas thinking, “I can’t do this!”.

It felt beyond my ability after all the time I’d waited.

Painting was once, second nature, now it was a puzzle.

Finding Clarity

I knew I no longer wanted to paint people as I had done in the past.

I knew I wanted to move onto landscapes. “How do I do that?” I thought.

At first, I had fun doing a lot of ‘messy’ paintings to take the pressure off. Then, I created a series of abstracts.

Image shows a portrait of Al for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

Finding Your Signature Style

Finally, I felt confident enough to experiment with landscapes.

I eventually moved into a semiabstract, expressionistic and impressionistic style.

Now, when I paint, most people expect me to create a variation of a contemporary landscape – it’s now my signature style.

Intuition and Memories

I don’t pre-sketch before painting; nor do I paint en plein air or use a photo directly.

People are often surprised by that statement. I have travelled around Australia, particularly NSW, Victoria and Tasmania for decades, so I have many memories, impressions and photos of inspirational natural environments.

More importantly, l feel a deep connection with natural environments.

Instead of preparing to paint with a clear plan or a photo to copy, I begin painting immediately on a blank canvas using only my memories, intuitive feelings and ideas of design.

Eventually, the creative process kicks in and a painting evolves.

Nurturing Creativity

To nurture my creativity, I set time aside to on a painting.

Just as importantly, I set time aside to do other positive activities, like listening to music, gardening, craft and walking.

My creativity is boosted by my habit of visually absorbing scenes and I accept that I have a different way of thinking or seeing things, like many others artists.

I know and embrace it as part of my artistic leanings, e.g. where another person might see a pile rusty metal, I see a sculpture; where someone sees a tree, I focus in on the patterns and intricacies of the bark.

Connecting with nature is an essential for me as natural environments are both inspirational and calming.

Remaining interested and curious is important and I can’t imagine ever feeling bored while engaging in art.

The Mixed Blessings of Art Exhibitions

I have engaged in several exhibitions and have mixed feelings about them.

On the negative side, I often feel nervous and exposed.

In addition, I have found lighting and positioning of an artist’s work can be an issue, impacting significantly on presentation and viewings.

Curators can also favour known artists, at times. On the other hand, during exhibitions, I’ve had a lot of positive feedback, made valued connections and enjoyed engaging with visitors.

I recall one particular time when a mother brought her artistic ten year old daughter along to chat to me about the many aspects of artistic creativity – a treasured memory.

Figuring Out a Creative Business

The business side of being an artist is challenging for me, as many fellow artists will agree.

It can seem counter-productive to creativity, plus it’s time consuming.

A while back, a work colleague approached me and asked to manage the business side of my artwork, while I concentrated on creating.

She had a lot of great ideas, so we formed a partnership. Unfortunately, covid completely changed her circumstances and her work responsibilities increased considerably.

Sadly, we had to dissolve our partnership. The business side remains a challenge for me, but I’ve concentrated on making myself known to gallery owners, having an active Instagram account and connecting with other artists for advice and support.

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Seeking Creative Joy in Your Art

Simply speaking, I enjoy what I do and try not to worry about things beyond my control.

The joy you get out of creativity is both beneficial and constructive.

I look forward to and am cognisant of my artistic growth.

I am also very much aware of the importance of exercise, a good diet and adequate sleep to stay healthy, so that I can keep creating.

The Path to Building Skills

To build my skills, it’s essential to practice, regularly.

When I was a carefree child, I drew, coloured or painted every day.

Now, as an older person, I continue to paint regularly, but I think ‘art’ constantly.

Aware of Design, Shape and Colours

I remain aware of design, shape, colours and anything that peaks my interest.

Another building skill is to steer clear of comparisons to other artists.

I often remind myself to just be ‘me’.

I can happily admire others artists’ work, but it’s essential to stay on my own course of growth and development.

Connection, Narrative and Nature

I try to create atmospheric scenes that tell a narrative and connect viewers to the elements of our land and, in turn to themselves.

I rely on my paintings to ‘speak’ to me as I work, so I would regard myself as an intuitive artist to a degree.

I often ask of my work (not myself), “What are you trying to say?”.

My tools are brushes, fingers, palette knives and rags.

In the past few years, my husband Paul, has been making my stretched canvases and frames, so my artwork is authentic and has a personal connection from start to finish.

About the Artist

About the ArtistI have enjoyed creating art all my life, but chose a career in education.

Firstly, as a primary teacher (and later as an EAL teacher, often using art to support language).

I married Paul in 1975 and had two daughters, both artistic in their own ways.

Now, happily retired in Tasmania, I am free to do art once again, without too many responsibilities.

Be sure to follow the Meg on Instagram for her latest work, sources of inspiration and latest news.

Image shows Julie McDonald for her Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

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