The Joy in the Act of Creating
What brings me the most joy in my art is the act of creating itself.
Some pieces have a repetitive rhythm that becomes almost hypnotic, and I love getting lost in that flow.
I’m equally energised by seeing how others experience my work — hearing their reactions never gets old and is something I can’t imagine tiring of.
Although my work isn’t representational, Tasmania constantly feeds my imagination. Even the smallest natural detail — a colour shift, a texture, the way elements arrange themselves — can spark a new direction.
Since moving to the beach, the rock pools have become an endless source of inspiration. Their beauty and diversity are only a short walk from my studio, and I never run out of ideas.
The Power of a Gift
A few years ago, a psychologist encouraged me to tap into the creative side of my brain.
And, true to form, I couldn’t just dabble — that suggestion sparked a whole new artistic path.
Around the same time, a friend gifted me an old loom she’d found in a second hand shop.
Restoring it drew me into weaving, and from there I naturally wandered into other fibre based art forms.
That combination of curiosity, timing, and a nudge toward creativity is what set my artistic journey in motion.
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A Studio with a View
My studio is a dedicated room in our home, looking out over the water, with the occasional wallaby wandering past.
I feel incredibly fortunate to have enough space for my large frame loom and an organised environment that supports my creative flow — once I’m immersed, I don’t want to waste time searching for things.
I work across two large surfaces, which is ideal because I usually have several pieces developing at once, each with its own materials spread out and ready to explore.
The Meaning of Studio Meraque
I call my space Studio Meraque, a blend of two words that hold deep meaning for me: Meraki — creating with love and putting a piece of yourself into the work — and Querencia — a place where you feel safe and grounded.
Together, they capture exactly what my studio has become and what it continues to inspire in my practice.
My Creative Journey
When I began my creative journey, I kept hearing that the best way to find your artistic voice is to try everything — so I did.
Over time, I found myself drawn to fibre, paper, watercolour, repurposed fabrics and found objects.
My work isn’t driven by the medium itself but by the idea I want to explore. Each concept leads me to the material that best expresses it.
Embracing Artist led Initiatives
I love being part of artist led initiatives because they open up new ways of learning and connecting.
Workshops, retreats and open studios are great for discovering fresh techniques — not to overhaul my practice, but to pick up one or two elements that spark new ideas.
These experiences also create a sense of community, offering inspiration, shared energy and conversations that stay with me long after the event.
Nurturing the Creative Muse
I nurture my creative muse by making space for creativity most days.
It doesn’t always mean being in the studio — sometimes it’s reading about art history or contemporary practice, and other times it’s simply walking and paying close attention to the shapes, colours and textures in nature.
I also doodle constantly; those small, playful marks often spark arrangement ideas that grow into new work.
Visit Exhibitions
Art is a way for me to keep learning, so I take every opportunity to visit exhibitions and experience the incredible variety of artistic expression.
Seeing how other artists communicate their ideas always leaves me energised and inspired.
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Explore Your Creativity
A painter friend mentored me through my first artwork — a watercolour rooster.
I enjoyed the process, but once it was finished I knew representational art wasn’t where my heart lay.
That realisation set me on a journey of exploring different mediums and subjects.
Along the way, I kept trying to force myself into one clear artistic direction because I thought that’s what I ‘should’ do.
Eventually, I accepted that my creativity has two distinct sides, much like my brain.
One is meticulous and precise: highly structured pieces created by piercing thousands of tiny holes into heavy watercolour paper and stitching the designs with thread.
The other is intuitive and organic, shaped by nature, pattern, colour and texture, with very little planning involved.
I’ve now reached a place in my practice where both sides can coexist comfortably.
Instead of choosing one path, I’ve embraced the full spectrum of how my art wants to evolve.
Tuning in with A Sketching Practice
Sketching on location helps me tune into shape, texture and subtle shifts in colour.
It’s a way of slowing down and really noticing what’s around me.
I often collect small natural objects while I’m out, and once I’m back in the studio those sketches and finds become the starting point for new work.
The Power of Exhibiting Your Work
Seeing my work hanging in an exhibition and watching how people respond to it is something I never tire of.
I’ve taken part in a handful of group exhibitions, and each one has taught me more about how to present and speak about my art.
Even when I’m not accepted, the process of applying is valuable — it pushes me to refine how I represent my work.
In the coming years, I’m excited to enter more exhibitions and to challenge myself toward a solo show.
Showing Up Matters
When I first began my art journey, I didn’t receive much advice because I kept my work hidden.
Only recently have I started stepping into spaces that feel new and sometimes uncomfortable.
Early on, though, I did read something that stayed with me: you find your artistic voice simply by showing up, trying things, and noticing what feels right.
That proved absolutely true for me.
Allowing Yourself Your Own Fit
For a long time, I struggled with the idea of needing to ‘fit’ somewhere in the art world.
Now I’ve learned that not fitting neatly is actually part of my creative identity — and I’m completely at ease with that.
Creative Practice and Art Supplies
Practice consistently, embrace experimentation and learn from every attempt.
I’ve learned that building artistic skill really does come from practice — there’s a reason it’s called an art practice.
Letting go of the fear of ‘wasting’ materials was a turning point for me.
Once I stopped expecting every attempt to become a finished piece, everything opened up.
Now I sample, play and experiment freely.
Those small explorations often spark ideas, even if they don’t relate to the piece I’m working on at the time. They become a library of possibilities for future work.
Favourite Creative Quote
I read a quote and it really sums up how I feel about creativity. I don’t know who wrote it but it is simply perfect.
“Some thoughts only arrive through the hands. Not through journaling, talking or sitting quietly with them…..but through the particular friction of needle and yarn, of shuttle and warp, of fingers working through material that pushes back. Craft isn’t decoration for a life of ideas. For many of us, it is the thinking.”
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About the Artist
Joyleene has a deep thirst for learning, and art has become the way she satisfies it — exploring culture, nature, geometry, and the playful space where order meets whimsy.
Coming to art later in life, after an established career, means she creates purely for the joy of it.
With no pressure to make a living from her work, her practice remains a space of curiosity, experimentation and delight.
After exploring a wide range of mediums, Joyleene has found her home in fibre, paper and watercolour, often incorporating repurposed fabrics and found objects.
Her two and three dimensional works express a rich interplay of shape, colour, texture and pattern.
With a snoozing whippet or two at her feet and the ocean framed in her studio window, Joyleene is happiest at one of her many looms, materials spread around her, following wherever the next idea leads
Be sure to follow the Joyleene on Instagram for her latest work, sources of inspiration and exhibition news.
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Join the growing, supportive artists community today and have your Artist story told here.
Belinda is doing a great job creating a professional looking artist hub online. Check out the profile I posted recently to see how well she does them. To all my artist friends let’s help make this THE go to place to discover local artists.
You won’t regret joining Art Trails Tasmania . It’s a welcoming community for creatives at any career stage.Becoming an Art Trails Tasmania member wasn’t a hard decision for me to make as it’s such a wealth of knowledge and support.Being member provides a quality way to showcase your creative endeavours and it’s quickly growing in reach.
We operate a home based picture framing business and recently joined Art Trails Tasmania as a means to giving us exposure to the wider artist community. We have almost immediately seen increase in activity thru our online sites, which I am certain will lead to more opportunities to grow our business.
Artist Profile Stories
I want there to be more arts and crafts in our world, in our communities and in our own lives. Hopefully you’ve found this blog post inspiring and interesting.
So I’m creating, with your help, Art Trails Tasmania, allowing all of us who feel this love to create more of it.
And the Art Trails Tasmania blog is a key part of making this happen, telling the stories of members. It’s about what they have happening with workshops and classes, exhibitions, open studio trails, where to find their outlets, markets, fairs and festivals so you can shop their creations as well as their art and craft retreats.
Also being shared are the supporters of our artists, the galleries, shops, cafes, art societies and groups, places to stay and artist in residencies.













