A Sense of Wonder Inspires Creativity

Living in Tasmania, it’s impossible not to be inspired by the wild.

I grew up in New Zealand, and even after many years on Hobart’s eastern shore I’m still in awe of the unique wildlife found only on this island.

Each encounter is a reminder of how special—and how fragile—these species and places are.

That sense of wonder shapes the way I create. My drawings aren’t just about detail for detail’s sake—they’re about honouring the species we risk losing and encouraging people to look closer at what’s in their own backyards.

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Image shows a watercolour landscape for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

Art and Sparking Connection

I see my role as sparking connection, so that care and protection naturally follow.

One of my favourite activities is going on day walks around Tasmania.

The physical exertion, fresh air, sunshine (and, let’s be honest, rain), and time in nature are endlessly refreshing and rejuvenating.

Those walks not only clear my head but also feed my creativity, giving me an endless source of reference and inspiration for new work.

Tasmania gives me both the subjects and the purpose behind my work, and I can’t imagine creating art anywhere else.

The Call of Art and Animals

For as long as I can remember, I’ve been drawn to two things: animals and art.

My curiosity about animals led me into science, where I studied animal behaviour and completed a PhD in zoology and chemical ecology.

I published research on echidnas here in Tasmania, and on ring-tailed lemurs in the United States.

For years, my creative side sat quietly in the background while I worked in research and later in public policy.

Image shows a studio view with pink roses set up for painting for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

Lockdown Artist & Reconnection

I am a self-confessed “lockdown artist.” In 2020, I didn’t attempt sourdough or guitar—but I did pick up a pencil again.

What began as a way to unwind became a reconnection with creativity and with nature.

I shared my work online, received my first commission, and things spiralled from there.

Art and Science

Each drawing reminded me that art can do what science alone sometimes can’t—it can spark emotion, invite connection, and inspire care.

Today, while I still work in a nearly full-time day job, I dedicate my evenings and weekends to drawing.

I’ve only been creating seriously for a few years, but it’s a passion project I am slowly growing.

Creating Art and the Dining Table

My studio is, quite literally, half the dining table.

When I first chose coloured pencils as my medium, I thought they would be neat and easy to clean up—but over time my pencils, sharpeners, and stacks of reference photos have claimed permanent residence.

These days, my husband and I rarely use the table for eating. I like working in the heart of the house.

It means my art isn’t shut away in a separate room—it’s part of daily life.

I usually draw in the evenings, surrounded by the familiar rhythm of home.

It may not be glamorous or purpose-built, but it feels authentic.

For me, it’s proof that you don’t need the “perfect” studio to create—you just need a space and some time.

Image shows a verdant landscape with rolling green hills, blue sky with passing clouds for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

Creating with a Range of Art Mediums

Colour pencils are my main medium, but I’m also dabbling with pastels, graphite, charcoal, ink, and watercolour.

I think I initially chose pencils because they’d require minimal clean-up. What I didn’t appreciate at the time is how notoriously slow they are to work with.

I’m normally pretty impatient, but I’ve come to see drawing as a meditative, calming activity.

A single drawing can take weeks or even months to complete, with layers of colour slowly building depth, texture, and detail.

But that’s also what I love about pencils—the patience they demand, and the realism they allow me to achieve.

Layer Upon Layer

With careful layering and blending, they can capture the glint in an animal’s eye, the softness of fur, or the sheen of feathers in extraordinary detail.

Pencils don’t seem to be widely used in fine art, but I think that’s slowly changing.

I’m determined to push what they—and I—can do.

For me, they’re the perfect blend of science and art: precise, technical, yet capable of evoking deep emotion.

Building an Art Business

Like most artists (I think), I never started creating with the intention of building an art business.

But when people began asking about commissions and prints—including custom pet portraits—I realised I needed to figure it out—and fast!

I’ve been on a steep learning curve ever since, and I’m still figuring it out as I go today.

Growing Anything Takes Time

What I wish I knew at the start is not to expect results overnight. Growing a business takes time, persistence, plenty of mistakes, and more than a little self-doubt.

It means wearing many hats—marketer, social media manager, accountant, packaging assistant—often all in the same day.

And hopefully still squeezing in time for the actual creativity, too.

With an almost fulltime day job, it’s important that I manage my expectations and energy levels so I don’t burn myself out.

Authentic Connections via Art

The biggest surprise has been that people connect just as much with you as they do with your work.

Sharing the process, opening up about the “why” behind each drawing, and letting people see a little more of me has led to connections with some truly wonderful, like-minded people.

Witnessing others react and connect to my artwork has been the most rewarding part of this journey.

Image shows a portrait of Al for the Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

Flourishing with Art Groups

One of the best things I did for my growth was to get out of my comfort zone and join local art groups.

Exhibiting with them pushed me out of my comfort zone, connected me with other artists, and gave me the confidence to share my work publicly.

I had my first (joint) exhibition in November 2024 and I’m planning for my first solo in 2026.

Entering national and international competitions has also been invaluable.

Art and Endangered Species

Sketch for Survival, for example, combines art with wildlife conservation, raising awareness and funds for endangered species.

Taking part in something that aligned so strongly with my values was both motivating and rewarding, and it pushed me to refine my technique.

Competitions like that, and the Holmes Prize, gave me deadlines and the chance to get my work alongside those of other artists I admire.

Every society, exhibition, or competition teaches you something about your values. For me, that clarity is just as important as technical improvement.

Creating More Than Beautiful Art

For me, drawing wildlife is about more than creating a beautiful piece of art. It’s a way of noticing, of paying attention.

My science background taught me to look closely at details, and art gives me the chance to translate that curiosity into something others can see and feel.

Art as a Bridge

What I’ve also learned is that art can act as a bridge.

It can connect people to species they might otherwise overlook, spark conversations about conservation, or simply remind someone of a creature they’ve loved.

Every time I hear someone say, “I’ve never noticed that before,” or “I recognise that bird!” I feel I’ve achieved something meaningful.

The Real World Impact of Art

A big part of my practice is making sure my art has real-world impact.

From day one, a portion of proceeds from every original drawing and print goes directly to local wildlife conservation organisations.

That means every piece someone chooses not only celebrates nature—it also helps protect it.

Art is Always Evolving

My art is still evolving, and I imagine it always will be.

But at its core, it will always be about connection—between people and the natural world, between science and emotion, between beauty and impact.

Looking ahead, I’m excited to continue growing my practice.

I’m seeking opportunities for a solo exhibition, exploring wholesale partnerships, and building my business so I can share my work with more people.

If you’d like to explore more of my art, or join my monthly newsletter where I share the stories behind the drawings and the wildlife that inspires me, I’d love to welcome you.

About the Artist

Rachel Harris is a Tasmanian wildlife artist whose colour pencil drawings combine scientific precision with meaningful impact and heartfelt storytelling.

With a PhD in zoology, Rachel brings a trained eye for detail to every feather, whisker, and scale she draws, creating lifelike artworks that invite connection with the natural world.

Her work celebrates Tasmania’s unique wildlife and supports local conservation organisations.

Rachel’s artworks have been exhibited locally and internationally.

Her original drawings, fine art prints, and commissioned works—including wildlife and pet portraits—can be purchased through her website, offering collectors the chance to bring natural beauty into their homes.

Be sure to follow the Rachel on Facebook and Instagram for beautiful wildlife art to be in your feed and subscribe to her artist newsletter for early access to her latest works and more.

Image shows Julie McDonald for her Artist Profile Sharing Stories and Connections Through Bold Colours and Mark-Making with Julie McDonald Art Trails Tasmania

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I want there to be more arts and crafts in our world, in our communities and in our own lives. Hopefully you’ve found this blog post inspiring and interesting.

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